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‘Atlantis’: The Myth and The Prophecy.
Robert Smithson was an American artist known primarily for his sculpture and land art although his early output was primarily of paintings, drawings and collage works. He was one of the founders of the Land Art movement whose best known work is the Spiral Jetty which he created in 1970. This piece is an earthwork in the form of a 1,500-foot-long (460 m), 15-foot-wide (4.6 m) counterclockwise spiral of local basalt rocks and mud, forming a jetty that juts from the shore of the Great Salt Lake near Rozel Point in Utah. Smithson wrote that he deliberately chose the site due to its proximity to a derelict oil jetty. In later years oil and gas extraction has threatened the area. The work still exists.
What does not exist is an island of Atlantis. Or if it did exist then it has existed in every Continent or Ocean upon the Earth. For every century — since Plato mentioned Atlantis in two of his dialogues known as the Timaeus and Critias — has had its obsessive fixation with the discovery or rediscovery of Atlantis. This has greatly intensified in our modern era through archaeology and the discovery of sites linked with legendary and mythic tales from all parts of the world. The discovery of Troy by Heinrich Schliemann is the perfect example.
Yet modern archaeology has itself become responsible for what is now termed pseudoscience because of recent theories…
